After a recent article suggesting that light, portable images and furnishings, such as a rood screen, might be a way to beautiful sacred spaces at a reasonable cost, I was delighted to hear again from the well-known Catholic sculptor Thomas Marsh. He wanted to tell me about a medium that he uses, which he felt would help people looking for economical and lightweight sculptures and sculpted furnishings that nevertheless have a permanent look - white gypsum cement. This was new to me, and what he described was worth passing on to you.

I've featured Thomas’s work before, notably in an interview with Dr. Carrie Gress. What sets Thomas apart in the world of classical naturalism is his deep understanding of sacred art. Unlike many skilled artists who blur the lines between sacred and secular, Thomas knows that sacred art should idealize its subjects more emphatically, emphasizing universal human values over particular details, but without neglecting the particular altogether in a subtle balance of naturalism and idealism. When artists get this right, and I think Thomas does, the result is sculptures worthy of veneration, rather than what we often see, portraits of models dressed as holy figures, albeit skillfully rendered.

Thomas wrote to me about white gypsum cement: "It's in the plaster family, though much harder and more durable. It's strictly an interior material. I often do relief sculptures for projects for the Church, and the beauty of reliefs is that they are sufficiently subtle to harmonise with architecture, when appropriate. When focused upon, they lend themselves to detailed representation, to almost any degree of verisimilitude with proper lighting from above. Finally, they are VERY economical to produce, ship, and install."

To showcase this versatile medium, I've included some examples of Thomas' relief works. There's also a photo of a large ensemble he created for St. Mary of the Immaculate Conception in Fredericksburg, VA. The centerpiece is a 6'6" corpus cast in fiberglass-reinforced gypsum cement with light polychrome—i.e. coloration. Despite its impressive size, it weighs just 90 pounds!

Contact Thomas Marsh through thomasmarshsculptor.net